Saturday, May 19, 2012

Spotlight on Tony Dunbar

Title: City of Beads by Tony Dunbar

Kindle Price:  $4.99

Author's Website: booksbnimble.com

Author on Facebook: click here

Reader Review: 

"Dunbar weaves together the many strands of his highly entertaining tale with much skill and wit, as well as some relaxed local color."

--Publishers Weekly

Book Description: 

New Orleans lawyer Tubby Dubonnet is bored. He wants to bill enough hours to pay his alimony and keep his daughter in college, with enough left over for an occasional drink and a good meal, but he longs for something different and exciting. 

When he's offered a job researching the licensing requirements of the city's new and lucrative gambling casino, he doesn't care if he's working for the Mob. Meanwhile, he becomes involved in executing the estate of an old friend who controls some dock leases on the wharf, and he agrees to help his daughter's environmental group stop illegal dumping into the river.

As one might expect, the three cases curiously begin to converge: the toxic dumping, the dock leases, and the too-good-to-be-true casino job lead Tubby to the conclusion that he's been set up to be the fall guy in an effort by the casino to expand its operations.

Suddenly Tubby is doing something different and exciting -- he's running for his life... The second in the Tubby Dubonnet mystery series.

Excerpt:

Down by the river, Potter Aucoin was putting up a hell of a fight, but he was losing it quick.

He got in a solid clip on one of his attackers, right above the ear, with a rusty black iron jack handle. The man careened backward across the room and slammed against the wall, tipping over a filing cabinet. The other assailant, the smaller of the two but still linebacker size, leapt up behind Potter and wrapped his arms around him in a bear hug. He was blowing hot gusts of garlic into Potter’s face, yelling for his partner to get off the floor and help him.

Although he was pinned, Potter managed to jab the sharp end of the jack handle into a soft part of the man holding him from behind. It dug into flesh, high on the thigh. He did it again, and a painful howl roared out of the mouth by his cheek. Potter’s arms came free, but not soon enough. The beefy one on the floor, his yellow paisley tie tangled up in his blue polyester shirt, had stopped seeing stars and got up. His meaty fist was armored by an old-fashioned ring of aluminum knuckles, and it swung in a wild haymaker that landed hard on Potter’s forehead. Potter’s last picture of humanity was of a stranger’s face, the mouth knotted in rage, before blood covered his eyes. Then the view in Potter’s fading mind changed to a sandy blue seashore, and he collapsed with the taste of fresh mangoes and papayas on his tongue.

“Jesus Christ,” the man with the chain-link knuckles cursed as Potter slumped down into the arms of his gasping partner, just another stranger, who held the weight for a second, then let the limp sweaty body drop to the stained concrete floor.

He stepped back with a curse, and said something like a prayer, before he gave the limp and bleeding form a tentative kick.

“I think he’s dead,” he said.

“Ah, no,” the bigger man complained. “That shouldn’t have killed him. Good God almighty, what a mess.”

About the Author:

Tony Dunbar is a lawyer and the author of the Tubby Dubonnet mystery series set in New Orleans. The seventh episode, Tubby Meets Katrina, was the first novel set in the city to be published after the storm. 

He is the winner of the Lillian Smith Book Award, and his mysteries have been nominated for the Anthony and the Edgar Allen Poe “Edgar” Awards. He has also written non-fiction books about the South and civil rights and has lived for more than thirty years in this beautiful and complicated city.



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Friday, May 18, 2012

Spotlight on Julie Smith

Title: Jazz Funeral (The Skip Langdon Series)  by Julie Smith

Kindle Price:  $2.99

Author's Website: booksbnimble.com

Author on Facebook: click here

Reader Review: 

"A genuinely moving mystery ... It's always a pleasure to spend time with Skip, a no-nonsense, level-headed heroine in a wild and reckless city."

-THE BALTIMORE SUN

Book Description: 

Everybody loved easygoing Ham Brocato, producer of the successful New Orleans Jazz and Heritage Festival; even so, he ends up stabbed to death in his kitchen on the eve of the fest. Spunky New Orleans Homicide Detective Skip Langdon acquires a ready-made suspect list from the victim's live-in lover, feisty and swiftly rising star Ti-Belle Thiebaud, and sets out to solve the murder. To complicate the case, the victim's sixteen-year-old aspiring blues musician sister has disappeared, and Skip suspects that if the young woman isn't herself the murderer, she's in mortal danger from the person who is. 

Skip doesn't miss much as she probes the victim's tangled relationships, including Ariel Bruge, Ham's assistant, apparently a woman scorned; his father George, enmeshed with family members in a bitter disagreement over the family's lucrative Po' Boy chain; and Patty, the distraught stepmother.

With her long-distance love, Steve Steinman, and her quirky landlord, Jimmy Dee, to assist her, Skip trails an elusive killer through a sweltering early summer in the steamy Big Easy, a lively blend of both big city and gossipy small town, in a tale of southern kinships gone awry. The third book in the Skip Langdon series.

Excerpt:

The newcomer is told three things by the old New Orleans hand: don’t walk on the lake side of the Quarter, don’t drink the water, and always take a United cab.

He is sometimes surprised to find the lake side is nowhere near a lake, but quite near what natives call the “projects,” housing so poor and mean it would make a preacher think about mugging, just to even things up. Only one project is near the Quarter, the Iberville. Others are scattered throughout the city, as is crime, which is said to be so prevalent, Uptown gentlemen have taken to presenting their ladies with handguns for their purses. The ladies, in turn, dare not step out of their cars at night and stroll up their own front walks without pistol cocked and at the ready.

The newcomer is puzzled. Is this because urban crime came late to Louisiana, with the crack plague that hit the rest of the country, and the natives haven’t yet adjusted? Or is it really, as they say there, worth your life not to heed the warnings?

Now and then the city does lose a tourist, but Californians and such are nonetheless bemused by the syndrome of pistol as fashion accessory.

And by the other advice.

“Why not drink the water?” they will ask, and they will be told with a shrug: “This is a Third World country.” On further questioning, one is told something about sewage and chemicals, but the Sewerage and Water Board says the city’s water is some of the purest in the nation. The first answer is probably the one that counts.

It is a position with which it’s difficult to argue. New Orleans, though technically a city, is more like a nation unto itself; though legally a piece of America, it’s Caribbean in its soul, as exotic an adventure as exists short of navigating the Amazon.

The question of the cab has never been solved.

Steve Steinman, in town for one of the country’s better bashes, the New Orleans Jazz and Heritage Festival, was puzzled as usual over the bizarre customs of the City that Care Forgot. He was haranguing his hostess. Detective Skip Langdon of the New Orleans Police Department.

“So I asked three people on the street. You know what one of them said? You’re not going to believe this. ‘Because most of the drivers are white.’ How do you stand the way people talk in this town?”

“I never heard that.”

“Well, the next one said United’s more reliable, and the next one said they’re the best. I said, ‘What makes them the best?’ and he said he didn’t know, he’d never taken a cab in his life, that was just what he’d always heard.”

“Me too.”

“That they’re the best?”

“Well, not exactly. Just that that’s what you’re supposed to do: ‘Always take a United Cab.’ It’s like ‘wear clean underwear in case you get in an accident.’ You hear it so early on, you never question it.”

About the Author:

Julie Smith is the award-winning author of twenty novels and as many short stories. She’s a former reporter for the New Orleans Times-Picayune and the San Francisco Chronicle,  as well as a veteran of her own online writing school, plus an editorial service she founded with two other writers. She’s also taught writing at the  University of New Orleans and in numerous private seminars. 

During her long career as a novelist, she has created four mystery series, including two set in New Orleans where she lives, featuring homicide detective Skip Langdon and poet/P.I. Talba Wallis. In 1991, she won the prestigious Edgar Allan Poe Award for Best Novel.

Counting all the novels, all the stories in all the anthologies, the odd essay, and a progressive novel or so, her publishers include just about every big publisher– Ballantine, St. Martin’s, Tor, Walker & Company, Knopf,  Doubleday, Avon, Harper-Collins, Berkley, Warner,  and Oxford University Press– plus some smaller ones, including Akashic Books,  Carrol&Graf,  Allen &Unwin, Taplinger, and Four Star.

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